A plain lampshade does a job. A fabric one does something more: it pulls a room together. Match a shade to the curtains in a spare bedroom, echo the piping on a favourite cushion, or finally use that remnant of linen you could not leave behind in the shop. It is one of the most rewarding small projects in home textiles, because the results are visible the moment you switch the lamp on and the materials cost very little. Set aside an afternoon and you will have something that looks far more considered than anything you could pick up on the high street.
The best fabrics for lampshades are mid-weight and tightly woven. Anything too flimsy will show the frame through it once the bulb is lit, and anything too thick will bulk up awkwardly where it meets the rings. Good choices include cotton poplin, quilting cotton, linen blends and lighter-weight canvas or wool.
Avoid slippery satins, stiff upholstery weights and anything with heavy embroidery or beading, which will not lie flat around a curve. Think about lining, too: a layer of white cotton or a purpose-made lampshade lining diffuses the light and stops the fabric looking patchy when the lamp is on. Finally, consider fire safety. In the UK, lampshades should be treated with a fire retardant, and many specialist lampshade fabrics and linings already are. If yours is not, a fire retardant spray is easy to apply to the flat fabric before you begin.
For a traditional sewn shade on a wire frame you will need the following. Everything is widely available from haberdashery shops and online craft suppliers.
If you would rather skip the sewing entirely, a self-adhesive rigid drum shade kit is a superb beginner option. You cut a single panel to size, peel the backing and roll it around the rings.
Start by measuring the frame properly. Run a tape measure around the top ring, then around the bottom, and measure the slant height from top to bottom. For a drum shade the top and bottom measurements will be the same; for an empire or tapered shade they will differ.
Add a turning allowance of roughly 2cm at the top and 2cm at the bottom for a rolled-edge finish. If you are lining the shade, cut the lining to the same dimensions and tack or glue the two layers together before you start, treating them as one piece.
Press the fabric well before cutting, and again after. Cut slowly and squarely, following the grain of the fabric so the shade does not twist. Mark the top edge with a chalk line so you cannot mix the two up halfway through.
Work on a clean surface with the frame resting upright. Run a strip of double-sided tape or a thin bead of glue around the top ring only and leave it to go tacky.
Lay the fabric right side out against the frame and bring the two vertical edges together, overlapping them by about 1cm. Secure the seam with clips. Check the alignment at the top and bottom before you commit, then glue the seam and press it firmly closed.
Now attach the top edge. Fold the turning allowance over the top ring and press it down onto the tape or glue, working in small sections around the circumference. Take your time here; a neat top edge is what the eye notices first. Repeat for the bottom ring.
Finish by covering both raw inside edges with bias binding or ribbon, glued neatly in place. This hides the workings and gives the shade a professional, shop-bought look. If you are using a self-adhesive drum panel, simply peel, roll and tuck the ends behind the rings instead.
Leave the shade to dry completely, ideally overnight, before fitting it to a lamp. A few common issues are easy to put right.
Once it is on the lamp, step back and look at it in daylight and again in the evening with the light on. That is when you will see whether the fabric reads as warm or cool, and whether you want a contrasting trim next time. Then start planning the second one, because lampshades, like cushions, rarely stop at just one.
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